Art and artist in A Portrait of the Artist as a Young Man

James Joyce is an Irish novelist. He is considered to be one of the most influential writers of the early 20^th century. A Portrait of the Artist as a Young Man is the first novel of Irish writer James Joyce. In this novel, the writer shares his concepts about arts and artists. Through Stephen Dedalus, he presents his own opinion. A Portrait of the Artist as a Young Man details events which closely correspond with those of Joyce's first twenty years. 

This novel is the story of the growth of Stephen from creature to a creator. It shows the development of the child into a young man ready to take up his mission as an artist. He wants to pursue the talent of an artist. It is his believe that he can do it only if he is free of all commitments. He is tied by family, religion, and country but he arranges to get himself freed from all these ties. He wants to be loyal to his art. He throws off the shackles of his mind. He struggles to free himself from all bonds. Even he leaves his family, his country, and goes into exile.

According to Stephen, art is the human disposition of sensible or intelligible matter for an esthetic end. It seems Stephen believes that true art stands alone. It is separate from morality. Stephen’s approach to art is formalistic. He believes in the theory of art for art’s sake. There is no difference between beauty and truth. Stephen thinks that the job of the artist is the creation of the beautiful. He is influenced by Aquinas. According to Aquinas, we can call that beautiful which pleases the sight. Stephen has pointed out that Aquinas has given three conditions for the apprehension of beauty- wholeness, harmony, and radiance. He imagines that the loveliness that has not yet come into the worlds’ is to be found in his own soul. The earth is gross, and what it brings forth is cow dung. Sound and shape and color are the prison gates of our soul; and beauty is something mysteriously gestated within.

Stephen compares the artist with God. He says that an artist is just like God in his creation. However, such analogies should be considered only analogies, not identifications. Stephen is just elaborating his aesthetic principles. We should not think that he is trying to elevate the human artist to the place of God in his comparison of the autonomy of art and artist to the autonomy of God.  

Though Stephen wants to be a priest, he feels that he would not be able to fulfill his mission in life which was to become an artist. His destiny is not to get entangled with religions and social orders. He must be free of all loyalties and attachments if he wants to be a true artist.

Stephen's thoughts, associations, feelings, and language serve as the primary vehicles by which the reader shares with Stephen the pain and pleasures of adolescence, as well as the exhilarating experiences of intellectual, sexual, and spiritual discoveries. He has worked hard and dedicated his life because he wants to be an artist who owes loyalty to nothing but his art.