Friday, February 14, 2020

Pahela Falgun: The Advent of Spring

Pahela Falgun (পহেলা ফাল্গুন) is the first day of Falgun, the eleventh month of the Bengali calendar. It is also the first day of spring, which is known as the king of all seasons. According to the Gregorian calendar, Pahela Falgun is usually celebrated on February 13. To welcome the spring in Bangladesh and other states of India, including West Bengal, Assam, Tripura, Jharkhand and Odisha, this day is celebrated with a special festival. This festival is known as ‘Basanta Utsav’ (Spring Festival). To welcome this day, National Spring Festival Celebration Council (Jatiya Bashanta Utshab Udjapon Parishad) in Bangladesh organizes ‘National Spring Festival’ (Jatiya Bashanta Utshab) every year at Bakultola of Fine Arts faculty under Dhaka University and on the open stage of Rabindra Sarobar in Dhanmondi. Basanta Utsav is also celebrated on this day in Shantiniketan of West Bengal. 


Basanta Utsav is being celebrated from ancient time in the Bengal region. Mentions of this festival are found in an episode of Hindu mythology and folklores. Hindu Vaishnavas organizes various events on this day.

Since the time of the world poet Rabindranath Tagore, ‘Basanta Utsav’ has been observing at Shantiniketan in West Bengal. With song and dance, people welcome the spring. In the Bengali year 1401, the ritual of celebrating ‘Basanta Utsav’ was first started in Bangladesh by students of the faculty of Fine Arts under Dhaka University. Since then the National Spring Festival Celebration Council has been organizing this festival regularly. Now, people from across the country observe this day with joy, and for this reason, it has become a major cultural celebration.

On this day, girls wear Bashonti (yellow or orange) colored dress, especially saree, and decorate themselves with floral ornaments- floral crown on head, garland on head bun, floral bracelet on hands- while boys wear colorful Panjabi. Their colorful exterior beautifies the entire city, including Amar Ekushey Book Fair, Teacher-Student Centre (TSC), Fine Arts Faculty premises, Curzon Hall, University Mall (Mall Chattar) and parks.

On this day at 7 am, the invocation of spring starts with the cadence of the instrumental music at Bakultola of Fine Arts faculty under Dhaka University and it continues till 12 pm. From 4 pm to 8 pm, the spring praise festival takes place at the same place. Besides, spring invitation festival holds simultaneously from 4 pm till 8 pm at three other spots in Dhaka city- Bahadur Shah Park (Old Dhaka), Rabindra Sarobar (Dhanmondi) and Rabindra Sarani (Uttara 3). At this festival, children, teenagers and tribal people perform various cultural activities, such as song and dance. This festival also features choral song, solo song, solo poem recitation, folk song, speaking about spring and exchange of abir (kind of perfumed red powder) and love. 

Wednesday, February 12, 2020

Political allegory in Canto III of Book-I of The Faerie Queene

The Faerie Queene is an incomplete epic poem written by Edmund Spenser and it is perhaps the longest poem written in English language. This long epic poem is divided into six books. Each book is primarily written to demonstrate a particular virtue such as- holiness, temperance, chastity, friendship, justice and courtesy. Book I deals with holiness. In Book I, we get the adventure of one Knight, Redcrosse, representing holiness, accompanied by Lady Una who symbolizes truth. The purpose of writing this poem is to praise Queen Elizabeth who successfully ruled England for more than forty years. She is presented here as “the fairy queen”.

Canto III from the first Book of The Faerie Queene is significant in many ways. This canto shows many new characters that represent different sides of religion, ethics and political figures. Characters that played the most important roles in this canto are the blind old woman, Corceca, and her deaf daughter, Abessa, church thief, Kirkrapine, and Sansloy. There is no doubt about the importance of these characters, but compared to Archimago, whom we have known at the previous cantos, they are less important. Each of these characters is allegorical. Either they represent religious allegory or moral allegory. Other two types of allegories are political and historical allegories which are rare than other two types of allegory but present in this epic.

This canto mainly tells the journey of Lady Una who was abandoned by the Redcrosse Knight. She made her journey alone for searching of her Knight. While wandering in woods, she encountered many incidents. In general, these incidents may seem to us moral or religious allegory, but going through these incidents one can get the political condition of the contemporary England.

Before going to discuss about the political allegory in canto III, we should know the definition of allegory. Allegory is a literary term. When abstract ideas or principles are represented with the help of characters, figures, or events in narrative, dramatic, or pictorial form then it is called allegory. There are different types of allegory. Among them, moral, religious, social, and political allegories are more popular.

It has already been mentioned that political allegory is difficult to find, but the interesting thing is that it is closely connected with religious allegory. The reason of their intimacy is that during the time of Elizabethan age which Spenser also belonged to both politics and religion had almost become inseparable from each other. That is why, we can find some of the examples that carry both the allegories together. The religious conflicts of the time were inextricably tied to politics. The poet did not feel ashamed of describing the political conflict of the Elizabethan time.

Archimago is one of the most important characters of this canto. He is an evil character, which represents moral, religious and political allegories. In canto III, we find him in the disguise of Redcrosse Knight and joining with Lady Una. In twenty-six number stanza, we can see that both Una and false Knight come together. The poet wrote:
        “Ere long he came where Una traveild slow,
         And that wilde champion wayting her besyde;
         Whome seeing such, for dread hee durst not show
         Him selfe too nigh at hand, but turned wyde
         Unto an hil; from whence when she him spyde,
         By his like seeming shield her knight by name
         She weend it was, and towards him gan ride:
         Approaching nigh she wist^ it was the same;
         And with faire fearefull humblesse towards him shee came”

Una became happy when she saw Archimago in the guise of her Knight. However, he could only take the appearance of Redcrosse but he was not as like him when it came to fighting. He lost his life while fighting with Sansloy, who was looking for Redcrosse Knight for taking revenge for the death of his brother Sansfoy. All these things show political allegory.

It looks like that Spenser has portrayed this character to show the hypocrisy of Papacy in King Henry VIII’s kingdom. The main reason behind using Archimago is to show Pope Clement VII and the hypocrisy that he is aware of in King Henry’s court. By using political allegory, the poet has successfully showed the hypocrisy and illusions used by the Catholic Church to cause disorder and uncertainty.

By depicting the character “Archimago”, the writer has given the historical reference of the political allegory throughout The Faerie Queene. Like this evil character, who deceives Holiness and Truth by using a guise of a ‘holy man’, Pope Clement VII uses his guise of a virtuous Pope in order to defend his denial of the cancellation of King Henry’s marriage to Catherine of Aragon. He is symbolically the nemesis of England.

If we look at the history then we can see that Pope Clement VII was used as a pawn by both Henry VIII and Emperor Charles of Spain. Due to his failure to give birth to a male child with Catherine of Aragon, he decided to end his marriage with his first wife and marry Anne Boleyn in hopes of having a son.

In stanza ten, we can see the description of the house of Abessa. Here she meets both the mother and daughter. The poet said:
        “A damzell spyde slow footing her before,
         That on her shoulders sad a pot of water bore”

While wandering in search of Redcrosse knight, Lady Una comes to a damsel carrying a pot of water. This lady is Abessa, the daughter of Corceca. Abessa represents nuns and monks of Catholicism whereas her mother represents blind worshiper who performs ridiculous rituals that has nothing to do with God. Kirkrapine, the church robber, is the beloved of Abessa. In this poem, we can see her and her mother taking benefits from Kirkrapine.

The character “Abessa” represents “Abbess” who is the head of an abbey of nuns. It is clear that both mother and daughter represent monasticism which is a feature of the Catholic Church. In Spenser’s time, monasteries were blamed for taking donations from poor people for themselves. Abessa’s deafness and dumbness, and her mother Corceca’s blindness actually show Spenser’s belief that monasteries are ignorant of the needs of the world because of their seclusion life.

In stanza nineteen, we can see the church thief being attacked fiercely by the Lion. The poet said:
               “When that disdainfull beast
                 Encountring fierce, him suddaine doth surprise,
                 And seizing cruell clawes on trembling breast,
                 Under his Lordly foot him proudly hath supprest”

We can also see that Kirkrapine is being slain by Lion while the church thief was trying to break into the house. With the character of Kirkrapine, Spenser actually represented monasteries who were accused of taking donations from the state and the people. Here ‘Lion’ is represented as King Henry VIII that has stopped Roman church from rapine. It gives a clear image of the conflict between Roman Church and English ruler Henry VIII. To get permission for second marriage with Anne Boleyn, he wanted to reform English church. Another important reason of reforming English church is to get separated from Roman Church.

In stanza five, we can see Lady Una’s confront with a lion while taking rest under a tree. The poet wrote:
        “It fortuned, out of the thickest wood 
         A ramping Lyon rushed suddeinly,
         Hunting full greedy after salvage* blood.
         Soone as the royall virgin he did spy,
         With gaping mouth at her ran greedily.
         To have attonce devourd her tender corse;
         But to the pray when as he drew more ny.
         His bloody rage aswaged with remorse.
         And, with the sight amazd, forgat his furious forse.”

In canto III, we can see that Lady Una being confronted by lion while stopping to take rest. Seeing her gentle beauty and sensing her innocence, he forgets his rage and follows her around as a protector and companion which demonstrates the submission of the natural world to spiritual revelation. The interesting thing is that in moral allegory, the lion symbolizes Reason who is unaided by Faith or Truth.

In The Faerie Queene poem, we come to know the history of Tudor dynasty of which Elizabeth was a part. The poet has shown many prominent figures of this family in his epic. Elizabeth herself is the most prominent example. The poet has depicted her in the guise of Gloriana, the Faerie Queene.

In stanza thirty-five, we can see the battle between Sansloy and Archimago and Archimago being wounded. The poet said:
        “He tumbling rudely downe to ground did rush,
         And from his gored wound a wll of bloud did gush.”

Sansloy, who has defeated both Archimago and Lion, is another important character of this canto. He represents lawlessness. He symbolizes moral allegory. Sansloy is shown as a sinner who does not regret for sins and rejects the moral law of God. The poet symbolizes the immense power of human morality and immorality to resist the law of nature that was able to deal with Kirkrapine.

The battle between two negative characters, Archimago and Sansloy, actually mentions the contests of the Catholic powers with the Muslims. The whole canto also has a hint of the violence and lawlessness connected with the English conquest of Ireland.

In conclusion, we can come to the decision that Edmund Spenser has not only showed moral and religious allegory, but also successfully portrayed political allegory in the guise of religion. So, it can be easily said that The Faerie Queene is an allegorical poem.

Saturday, February 1, 2020

Use of imagery by John Donne


The seventeenth century English poet John Donne has used different types of images in his poems. His idea and concept of image is totally different from other poets. For this reason, his use of imagery was very uncommon. He drew his image from medieval philosophy, theology, mathematics, astrology, astronomy and so on.

“The Good Morrow” is said to be one of the best poems of John Donne. This poem has some metaphysical elements, and that is why, it belongs to the metaphysical school of poetry. In this poem, he has shown some areas of knowledge like geography, medieval philosophy, sea-discoveries etc. He has used these types of images to prove that the world of love is more important than geographical world. ‘The seven sleepers’ den’ takes us centuries back to the long sleep of seven people. Then we can find images of ‘sea-discoverers’ travelling to ‘new worlds’, and map showing the whole world and two hemispheres. All these have geographical associations. By depicting these images, the poet wanted to say that he was a world and his beloved was another world. However, for their love, they constitute a single world. He has also talked about two hemispheres that indicate two lovers. They are like North Pole and South Pole. The poet has said that they are the better hemispheres than the hemispheres of the earth. At the North Pole, it is so cold that no life can exist there. However, he and his beloved are flawless. He and his beloved are not subject to decline or death.

In the poem “Sweetest Love, I do not goe”, we can see that the poet is bidding farewell to his lover not because he is tired of his beloved but because he is going to get fitted love from the world. He has made comparison between departure and death. From the word ‘death’, we can imagine the separation of two lovers. Moreover, he has said that their separation will be like a night’s sleep for both of them. In the second stanza, he has used the metaphor of ‘Sun’. He has also compared his departure with the setting of the sun. He has said that he will return from his journey like the sun comes every day. In the end of the poem, the poet has advised his beloved to imagine. She should think that their separation is like two lovers turning aside of each other on their bed in order to fall asleep.

The imageries in the poem “A Valediction: Forbidding Mourning” are worth mentioning. The first image is about death. Death means separation. After death, the soul leaves the body. His departure from his beloved is like death. The lovers are then compared to planetary bodies. Geographical images like earthquakes, the movements of spheres, floods, tempests, and trepidation of the spheres are used to describe their love. Donne has also used the image of gold. He thinks their love is as precious as gold is. The poet has compared the two lovers’ souls to a draftsman’s compass, which is Donne’s most outstanding and striking example of the use of image. The last two lines represent the image of marriage rings. The poet has said:
‘Thy firmness makes my circle just,
 And makes me end, where I begun.’

In most of his love poems, he has told that there love is superior to any other. This refers to the love as both physical and spiritual. Donne’s imagination is great and we can see his greatness of writing the poem by these two poems. 

Narration: Exclamatory Sentence Part Five (5)


This is the last part of Narration. Here, in this article, I have given solutions of some problems regarding Exclamatory Sentence. If you are a student or job seeker, keep this in your collection. It will help you to take preparation for any kind of job.

1.   I said to her, “What a nice girl you are!”
Answer: I exclaimed with joy that she was a very nice girl.
2.   “What terrible cousins poor Samira had!” said Mr. Rahim.
Answer: Mr. Rahim exclaimed with sorrow that Samira had very terrible cousins.
3.   You said to me, “How nice your handwriting is!”
Answer: You exclaimed with joy that my handwriting was very nice.
4.   He said, “Alas! I am undone.”
Answer: He exclaimed with sorrow that he was undone.
5.   The man said to the boy, “How silly you are!”
Answer: The man exclaimed that the boy was very silly.
6.   Nawfel said to Suman, “What a nice gift I have got for you!”
Answer: Nawfel exclaimed with joy that he had got a very nice gift for her.
7.   The traveller said, “How wicked the boys are!”
Answer: The traveller exclaimed with sorrow that the boys were very wicked.
8.   “Bravo! You have done very well.”
Answer: He exclaimed with joy that he had done well.
9.   I said, “Had I the wings of a bird!”
Answer: I exclaimed that I had the wings of a bird.
10.                He said, “What cheering report!”
Answer: He exclaimed with joy that the report was very cheering.
11.                I said to my friend, “What a nice fellow your father is!”
Answer: I exclaimed with joy that the father of my friend was a very nice fellow.
12.                He said, “What a pity!”
Answer: He exclaimed with sorrow that it was a great pity.
13.                They said, “How sweet the mango is!”
Answer: They exclaimed with joy that the mango was very sweet.
14.                I said to him, “What a brave man you are!”
Answer: I exclaimed with joy that he was a very brave man. 

Ambar Shah Mosque: A Mosque Intertwined with the History of Karwan Bazar

During the Mughal era, there was a security checkpoint in Karwan Bazar. At the entrance of the city, everyone was checked at this security c...